Separate Self Pre-Release Party

Image

June 27, 2016
7:30 pm

RR7936-SEPARATESELF-FrontCover

Church of the Redeemer Auditorium

$10 for individuals. $15 for households. Admission includes an advance copy of the CD and refreshments.

I’m so pleased to invite you to the Separate Self Pre-release Party with IonSound Project. Separate Self officially drops on July 8, but we have advanced copies to offer. IonSound will present music from the new album and be joined by guests Emily Pinkerton, Eva and Michael Rainforth, and Neil Newton. Please join us in celebrating the release of Separate Self, hear some wonderful performances, and enjoy some delicious refreshments!

Here’s a preview of the album featuring three excerpts from the title track. I hope you like it!

Funding for Separate Self was provided by the Investing in Professional Artists Program, a partnership of The Pittsburgh Foundation and The Heinz Endowments. Additional funding was provided by the Greater Pittsburgh Arts Council, and by generous individuals who contributed to the Fractured Atlas Fiscally Sponsored Project “Recording Project: Philip Thompson’s Visual Arts-Inspired Chamber Music.”

Arts-Louisville Reviews Final Battle

Lord Poetry (Sam Soto) and Bob Noxious (Nicholas Ward) try to choke one another as Starla (Krista Heckmann) and the Narrator (Alex Kapp) look on.

Lord Poetry (Sam Soto) and Bob Noxious (Nicholas Ward) try to choke one another as Starla (Krista Heckmann) and the Narrator (Alex Kapp) look on.

This review of Final Battle for Love and the other works on Thompson Street Opera’s “Not for the Faint of Heart” program focuses mostly on the singing, but there are some positive things about the show itself such as,

“The pseudo-wrestling scenes alone were, by themselves, almost worth the price of admission.”

Yeah, I’ll take that.

Of course it doesn’t even begin to encapsulate the amazing experience it was to work with Claire DiVisio and Thompson Street Opera Company. Katie Nix’s direction was inspired and she was somehow able to make a small production play as epic. All the singers were well prepared and delivered their lines with absolute conviction. They really embodied their characters. It was a joy to see this piece come to life after so many years.

I’ll have more photos and audio excerpts soon, but yeah. Wow! So refreshing to work with young artists who are all about taking risks and exploring new artistic territory!

Preview of Final Battle in Louisville’s Courier-Journal

Here’s a very nice preview of Thompson Street Opera’s season which opens this weekend. Final Battle for Love is next weekend, June-3-5. Thompson Street Executive and Artistic Director Claire DiVisio talks about about Final Battle beginning at about 8:45.

And be sure to check out the photos in the full article. Several of the photo captions include a phrase like  “Members of the Thompson Street Opera Company rehearse a scene for an upcoming performance about professional wrestling.” I really love that I was able be a part of making that phrase possible!

Gioco Project Presents Nocturnes

November 21, 2014
8:00 pm

Union Project
Free!

gioco project

So happy to let you know that Gioco Project will be performing my Nocturnes at the Union Project on November 21. Gioco Project is a new effort by former Black Orchid String Trio members Rachel Smith and Jennifer Sternick. They’ve enlisted the help of a number of Pittsburgh’s excellent chamber musicians to present music by Ryan McMasters, Daniel Perttu, Evan Ziporyn, and myself.

I’m really thrilled that Nocturnes will get another hearing so soon, and like the Rotunda of the University Art Gallery where the work premiered, Union Project is a big space that will allow the resonances and silences to merge into each other gently.

Please come out and hear these terrific musicians play Nocturnes, and bring your friends!

Galileo Celebration Update

string trio playing Nocturnes

Jennifer Strernick (vln.), Erin Araujo (vla.), and Eric Grata (vc.) performing Nocturnes in the Rotunda of the University Art Gallery. Photo credit: Emily O’Donnell.

Saturday, February 15, 2014 was a snowy day in Pittsburgh, just like seemingly every other day this past winter. The snow was falling hard enough in the morning that I wondered whether the celebration of Galileo’s 450th birthday would have to be cancelled, but the front passed through and the skies cleared up, so that afternoon I made my way over to Pitt’s University Art Gallery to meet the trio and go over a few final places in Nocturnes. Honestly though, there wasn’t much for me to do until people showed up. And show up they did, over a hundred or so representing many different sectors of the University and community.

UAG curator Isabelle Chartier, the driving force behind the whole event, introduced all the participants who had gathered in the front gallery where Aaron Henderson’s video montage played. Professor Paolo Palmieri, from the Department of History and Philosophy of Science gave a brief talk on Galileo, highlighting Galileo’s interest and skill in art and music as well as his contributions to astronomy.

After Dr. Palmieri’s talk, attendees were invited into the Rotunda to view Michael Morrill’s Linea Terminale paintings as the the string trio (Jennifer Sternick, violin; Erin Araujo, viola; and Eric Grata, cello) premiered Nocturnes, twelve miniatures to frame each of Michael’s twelve paintings. My hope was that people would turn toward the painting, but I think it’s very difficult  to turn away from seeing a chamber ensemble do its thing. I tried to set a good example myself though, moving through the circle of paintings, studying each one for about the space of one nocturne.

From my entirely biased perspective, I think Linea Terminale and Nocturnes worked well together. Something I’ve been thinking about a lot recently is how music can alter our perception of the passage of time. When I set a text for vocal music, I’m doing nothing so much as slowing down the pace at which the text is declaimed, allowing the words to unfold more clearly, often repeating words or phrases to focus our attention. “Setting” Michael’s paintings to music was a similar sort of thing—an effort to help focus our awareness and maybe slow down time a little.

I’m so happy to have been a part of the Celebration of Galileo’s 450th Birthday. It was a very positive and successful event! I’m particularly grateful for all the hard work Isabelle Chartier did to make the event happen and to Michael for his enthusiasm and support for Nocturnes.

A Celebration of Galileo’s 450th Birthday, Premiere of Nocturnes

February 15, 2014
3:00 pm

 Frick Fine Arts Auditorium, Free

450galileoposterbluewhite-crop

University of Pittsburgh Departments of Music and Studio Arts and the University Art Gallery have organized a commemoration of Galileo’s 450th birthday. The interdisciplinary event will take place from 3-5 p.m. in the Rotunda of the University Art Gallery.

The centerpiece of the event will be an interdisciplinary installation I’ve had the privilege of collaborating on with Pitt Studio Arts faculty members Michael Morrill and Aaron Henderson. The installation is built around Michael’s Linea Terminale paintings, themselves inspired by Galileo’s moon drawings. Aaron’s video and my brand new composition for string trio were created as a response both to Linea Terminale and the broader idea of celebrating Galileo’s life and scientific contributions.

Linea Terminale consists of twelve paintings in four groups of three. I structured my music along the same lines — four sets of three miniatures, averaging around a minute each. About the time I was finishing up the twelfth section, it occurred to me that the common character of all the movements was that of a nocturne so that’s what I’ve titled it: Nocturnes. I realized that the whole time I was composing the piece, the image of Galileo peering through his telescope at the moon was in the back of my mind. It makes sense because night time is still the best time to observe the moon.

090825-01-galileos-telescope_big

Special guest Paolo Palmieri, from Pitt’s Department of History and Philosophy of Science, will give a brief talk on Galileo and his contributions prior to the performance.

This interdisciplinary celebration of Galileo’s 450th birthday is cosponsored by the Departments of Studio Arts and Music, the University Art Gallery, and the Departments of History and Philosophy of Science, Physics, and Astronomy and Philosophy. The event is free and open to the public.

Watch: Video Excerpt from Separate Self, Movement III

Separate Self (Movement III excerpt) from Garth Zeglin on Vimeo.

Here’s a little longer video excerpt from the third movement of Separate Self. It will give you an idea of just how elegant Garth Zeglin’s kinetic fabric sculptures are in action.

I like to think of the essence of counterpoint as multiple parts having their own interest and yet never banging into each other. In the third movement of Separate Self, I took very clearly defined materials and worked on having the lines constantly shift in their relationships to each other. The end result is a soundscape that has a high degree of both stability and fluidity. I’m really happy about how the musical and visual gestures work together for this movement.

Animé BOP! Screens Virgil Cantini Film, Performs my Score

April 14, 2013
7:00 pm

Bellefield Hall Auditorium, Free

Anime-Bop

L-R: Linda Fisher, bassoon; Robin Driscoll, oboe; Rob Frankenberry, piano

I’m delighted that Pittsburgh trio Animé BOP! will screen Will Zavala’s film Virgil Cantini: The Artist in Public while performing my score for said film live. Will and I have been working closely with Animé BOP! bassoonist Linda Fisher to make some minor revisions to the film and the music so that it’s more suitable to a concert setting. It will run abut 8 1/2 minutes total and include many familiar scenes around the city, clips from Mr. Roger’s neighborhood, and some wonderful glimpses into Cantini’s studio. In short, it’s a film that is truly steeped in Pittsburgh’s cultural life.

Will and I first collaborated in 2009 on the film about Cantini, the founder of Pitt’s Studio Arts program whose sculptures occupy prominent places around the Pittsburgh cityscape. The impetus for the film was the ongoing Artists on Film project cosponsored by Pittsburgh Filmmakers and Pittsburgh Center for the Arts, and we’re delighted that it continues to hold appeal and find new audiences.

Animé BOP! is calling the concert The Pittsburgh Composers and along with Will’s film and my score, it will include Nancy Galbraith’s Incantation & Allegro, James Ogburn’s Complements and Collisions, the premieres of eX (e to the x) by Mark S. Fromm  and Semplicemente by Noah Rectenwald, and Robert Frankenberry’s arrangement of Daron Aric Hagen’s Tryst.

I hope you can make it!

Scenes from Final Battle for Love at Virginia Arts Festival

June 4, 2012
7:30 pm

Chandler Hall, Diehn Fine and Performing Arts Center
Old Dominion University
Free

On June 4th in Norfolk, the John Duffy Composers Institute Singers and members of the Virginia Symphony will perform scenes from the  world’s finest baroque-metal professional wrestling opera, The Final Battle for Love. I’ve written a brand new scene titled “The Battle Before the Final Battle” and I’ve revised the scene “Starla.” I’m very excited about the new scene because it means that we get to know all the main characters very early on in the opera.

By way of preview, this will be a concert presentation rather than staged with piano. Also on the program is Jake Runestad’s The Toll. Both pieces will be played twice with discussion in between each performance featuring comments by the iconic John Duffy, Robert Cross (director of the Virginia Arts Festival), and music director Alan Johnson.